| Home > Products >Musicians > T1™ ToneMatch™ Audio Engine |
 |
|
  |
|
|
 |
|
 |
| |
Integrated ToneMatch™ and audio technologies
Powerful, multichannel ToneMatch™ audio engine designed for use with L1™ Model I and Model II systems. Contains our largest library of ToneMatch instrument and microphone presets, proprietary zEQ and a complete suite of studio-class effects and sound processors.
ToneMatch™ presets
Proprietary presets optimize L1 system to match intended natural sound of specific instruments and vocal mics. Presets are organized into quick-access banks and can be independently assigned to each channel. Free ongoing updates via USB connection between your computer and ToneMatch audio engine. See list of current presets.
zEQ
Proprietary zEQ automatically adjusts the range of tone controls to match your voice or instrument, making it easier to fine tune your sound. Conventional mixers may have fixed EQ ranges that don't accurately affect desired frequencies when adjusted. But zEQ appropriately redefines low, mid and high frequency ranges of specified sources.
ParaEQ
Single-band parametric equaliser centres on frequency you specify for each independent channel. Valuable tool for reshaping problematic frequencies in certain venues.
Reverbs
Select from five reverb types: small, medium, large, plate and cavern. Quickly assign global reverb type to desired channels and control individual channel's decay time, brightness and mix level.
Delays
Choose from analog, digital or tape delay. Independently assign different delay settings for desired channels—with control over feedback time and mix level for each channel. For example, you can select tape delay for your vocal on channel 1 and analog delay for your guitar on channel 2.
Modulation effects
Independently assign 10 different modulation effects: three chorus types, two flange types, four phaser types and one vintage tremolo effect. Gives you discrete control over designated parameters for each channel.
Dynamics processing
Apply and adjust dynamic sound processing to independent channels. Choose from three different compression types, plus a limiter, de-esser, kick gate and noise gate.
Scenes
Store, recall and edit performance "scenes"—snapshots of key ToneMatch audio engine settings at any given time. Includes five predefined Bose® scenes, five My scenes and five Shared scenes you can give to other L1 owners. Scenes help simplify and reduce setup time when you're using an L1™ system repeatedly in different venues.
Chromatic tuner
Tune instruments easily.
Large backlit display
Features intuitive layout and easy-to-read text for modes and settings.
Rotary encoder
Turn for quick access to engine modes, effects and parameters, including ToneMatch™ presets, zEQ, ParaEQ, reverbs, delays, modulators, dynamics processing, scenes and tuner. Features clean, circular layout.
Aux mode (channels 1 – 3)
Send channels' dry, pre-fader or post-fader audio to aux output for connection to additional L1 systems or recording devices. Independent level controls for optimal signal output.
Channel volume, mute and FX mute (1 – 4/5)
Adjust volume and mute individual channels. Use FX mute to silence all effects on selected channels.
Master volume
Adjust overall level of master output.
Phantom power
Apply +48V power to input channels 1 – 3 to drive specific microphones.
ToneMatch™ cable
Single digital cable provides audio and power to ToneMatch™ audio engine from power stand.
Mounting bar and carriage
Securely attach ToneMatch™ audio engine to L1™ Model I or Model II loudspeaker with this sleek, custom support.
Protective cover and carrying case
Protect controls and case when storing and transporting.
Main Inputs/Outputs
Mic/line inputs (1 – 3)
Analog channels with combination connectors accepting balanced XLR or unbalanced 1/4" TRS audio cables.
Line inputs (4/5, L/R)
Analog channels for stereo connections to keyboards, mixers and computers. Inputs accept balanced 1/4" TRS cable. Edit control affects both channels.
Trim controls and signal/clip LEDs (1 – 4/5)
Adjust levels of input signals. Green/yellow/red LEDs show signal status and help you set gain levels properly.
Preamp outputs (1 – 3)
For connecting channels' dry output signals to recording gear or other amplifiers via balanced 1/4" TRS cable.
Aux output
Use with aux mode to create independent submix of channels 1 – 4/5 to route to other amplifiers or recording gear.
Master output
Analog output for connecting to additional L1™ systems, amplifiers or recording gear via balanced 1/4" TRS cable. Select from pre- or post-master volume settings.
ToneMatch™ port
Connect digital output of engine to L1 Model II power stand via included ToneMatch digital cable. Single cable also supplies power to engine.
USB port
Update ToneMatch audio engine and back up scenes via USB connection to your computer.
Dimensions
6.76 cm H x 16.6 cm W x 20.9 cm D (2 2/3''H x 6 1/2''W x 8 1/4''D)
Weight
1.0 kg (2.1 lbs)
A/D conversion
24-bits
Sampling rate
48 kHz
PC requirements (for USB port)
Windows 2000, 2000 Pro, XP
|
|
 |
|
 |
|
|
|
